ᚪᛒᚩᚢᛏ
ᚹᚺᚣ ᚦᛖᛋᛖ ᛋᚣᛗᛒᚩᛚᛋ ᚪᚱᛖ ᚹᚩᚱᚦ ᚦᛖ ᚹᚩᚱᚳ ᚩᚠ ᛚᛠᚱᚾᛁᛝ.
ᚹᚺᚣ ᛚᛠᚱᚾ ᚦᛖ ᚱᚢᚾᛖᛋ
ᚩᚢᚱ ᚪᛚᛈᚺᚪᛒᛖᛏ ᛁᛋ ᛋᛁᛚᛖᚾᛏ. ᚦᛖ ᛚᛖᛏᛏᛖᚱ ᛒ ᛗᛠᚾᛋ ᚾᚩᚦᛁᛝ ᚪᛏ ᚪᛚᛚ. ᛁᛏ ᛁᛋ ᚪ ᛗᚪᚱᚳ ᚠᚩᚱ ᚪ ᛋᚩᚢᚾᛞ ᚪᚾᛞ ᛁᛏ ᚳᚪᚱᚱᛁᛖᛋ ᚾᚩ ᚹᛖᛁᚷᚺᛏ ᚩᚠ ᛁᛏᛋ ᚩᚹᚾ. ᚦᛖ ᚱᚢᚾᛖᛋ ᚪᚱᛖ ᚾᚩᛏ ᛚᛁᚳᛖ ᚦᛁᛋ. ᛖᚠᛖᚱᚣ ᚩᚾᛖ ᚩᚠ ᚦᛖᛗ ᛁᛋ ᚪ ᚹᚩᚱᛞ ᛒᛖᚠᚩᚱᛖ ᛁᛏ ᛁᛋ ᚪ ᛚᛖᛏᛏᛖᚱ. ᛒᛇᚱᚳ ᛁᛋ ᚦᛖ ᛒᛁᚱᚳᚺ ᛏᚱᛖᛖ ᚦᚪᛏ ᛚᛠᚠᛋ ᚠᛁᚱᛋᛏ ᛁᚾ ᛋᛈᚱᛁᛝ. ᛚᚪᚷᚢ ᛁᛋ ᚦᛖ ᛞᛖᛖᛈ ᚹᚪᛏᛖᚱ ᚦᚪᛏ ᚺᛖᛖᛞᛋ ᚾᚩ ᛒᚱᛁᛞᛚᛖ. ᛞᚪᚷ ᛁᛋ ᚦᛖ ᛞᚪᚹᚾ.
ᛋᚩ ᛏᚩ ᚹᚱᛁᛏᛖ ᛁᚾ ᚱᚢᚾᛖᛋ ᛁᛋ ᛏᚩ ᚪᛋᛋᛖᛗᛒᛚᛖ ᚪ ᛋᛏᚱᛁᛝ ᚩᚠ ᚾᚪᛗᛖᛞ ᚠᚩᚱᚳᛖᛋ. ᚦᛖ ᛈᚺᚩᚾᛖᛏᛁᚳ ᚪᚾᛞ ᚦᛖ ᛗᛠᚾᛁᛝᚠᚢᛚ ᛗᚩᚠᛖ ᛏᚩᚷᛖᚦᛖᚱ, ᚪᚾᛞ ᚪ ᚹᚩᚱᛞ ᛋᚪᚣᛋ ᛋᚩᛗᛖᚦᛁᛝ ᚪᛒᚩᚢᛏ ᛁᛏᛋᛖᛚᚠ ᚦᚪᛏ ᚩᚢᚱ ᚩᚹᚾ ᛚᛖᛏᛏᛖᚱᛋ ᚳᚪᚾ ᚾᛖᚠᛖᚱ ᛋᚪᚣ. ᛏᚩ ᛚᛠᚱᚾ ᚦᛖ ᚱᚢᚾᛖᛋ ᛁᛋ ᛏᚩ ᚷᚪᛁᚾ ᚪ ᛋᛖᚳᚩᚾᛞ ᛚᚪᚣᛖᚱ ᚩᚠ ᚪᛏᛏᛖᚾᛏᛡᚾ ᚩᚠᛖᚱ ᛖᚠᛖᚱᚣᚦᛁᛝ ᚣᚩᚢ ᚱᛠᛞ ᚪᚾᛞ ᚹᚱᛁᛏᛖ.
ᚹᚺᚪᛏ ᚦᛖᚣ ᚱᛖᛈᚱᛖᛋᛖᚾᛏ
ᛠᚳᚺ ᚱᚢᚾᛖ ᚾᚪᛗᛖᛋ ᛋᚩᛗᛖᚦᛁᛝ ᚱᛠᛚ ᛁᚾ ᚺᚢᛗᚪᚾ ᛚᛁᚠᛖ, ᚪᚾᛞ ᚦᛖ ᚩᛚᛞ ᛈᛟᛗ ᚦᚪᛏ ᚳᚪᚱᚱᛁᛖᛋ ᚦᛖᛗ ᚱᛖᚠᚢᛋᛖᛋ ᛏᚩ ᚠᛚᚪᛏᛏᛖᚱ ᚪᚾᚣ ᚩᚠ ᛁᛏ. ᚹᛠᛚᚦ ᛁᛋ ᚪ ᚳᚩᛗᚠᚩᚱᛏ, ᚪᚾᛞ ᛁᛏ ᛗᚢᛋᛏ ᛒᛖ ᚷᛁᚠᛖᚾ ᚪᚹᚪᚣ. ᚺᚪᛁᛚ ᛁᛋ ᚦᛖ ᚹᚺᛁᛏᛖᛋᛏ ᚩᚠ ᚷᚱᚪᛁᚾ, ᚪᚾᛞ ᛁᛏ ᛞᛖᛋᛏᚱᚩᚣᛋ ᚦᛖ ᚺᚪᚱᚠᛖᛋᛏ, ᚪᚾᛞ ᚦᛖᚾ ᛁᛏ ᛏᚢᚱᚾᛋ ᛏᚩ ᚹᚪᛏᛖᚱ. ᚦᛖ ᛄᚩᚣᚠᚢᛚ ᛗᚪᚾ ᛁᛋ ᛞᛠᚱ ᛏᚩ ᚺᛁᛋ ᚳᛁᚾ, ᚪᚾᛞ ᛠᚳᚺ ᛗᚢᛋᛏ ᛞᛖᛈᚪᚱᛏ ᚠᚱᚩᛗ ᚦᛖ ᚩᚦᛖᚱ.
ᚦᛖ ᛏᚱᚪᛞᛁᛏᛡᚾ ᚺᚩᛚᛞᛋ ᚦᛖ ᚺᛖᛁᚷᚺᛏ ᚪᚾᛞ ᚦᛖ ᛞᛖᛈᚦ ᚩᚠ ᚪ ᚦᛁᛝ ᚪᛏ ᚦᛖ ᛋᚪᛗᛖ ᛗᚩᛗᛖᚾᛏ ᚪᚾᛞ ᛞᛟᛋ ᚾᚩᛏ ᚱᛖᛋᚩᛚᚠᛖ ᚦᛖ ᛏᛖᚾᛋᛡᚾ. ᚦᚪᛏ ᚱᛖᚠᚢᛋᚪᛚ ᛁᛋ ᛁᛏᛋ ᚺᚩᚾᛖᛋᛏᚣ, ᚪᚾᛞ ᛁᛏ ᛁᛋ ᚹᚺᚣ ᚦᛖᛋᛖ ᛋᛏᚪᚾᛉᚪᛋ ᛋᛏᛁᛚᛚ ᛚᚪᚾᛞ ᚪᚠᛏᛖᚱ ᚪ ᚦᚩᚢᛋᚪᚾᛞ ᚣᛠᚱᛋ. ᚦᛖᚣ ᚹᛖᚱᛖ ᚾᚩᛏ ᚹᚱᛁᛏᛏᛖᚾ ᛏᚩ ᚳᚩᚾᛋᚩᛚᛖ. ᚦᛖᚣ ᚹᛖᚱᛖ ᚹᚱᛁᛏᛏᛖᚾ ᛏᚩ ᚹᛁᛏᚾᛖᛋᛋ.
ᛗᛖᛞᛁᛏᚪᛏᛁᛝ ᚩᚾ ᚩᚾᛖ ᚱᚢᚾᛖ
ᚦᛁᛋ ᛁᛋ ᚹᚺᚣ ᚦᛖ ᛋᛁᛏᛖ ᚷᛁᚠᛖᛋ ᚣᚩᚢ ᚩᚾᛖ ᚱᚢᚾᛖ ᚪ ᛞᚪᚣ ᚪᚾᛞ ᚾᚩᚦᛁᛝ ᛗᚩᚱᛖ. ᚪ ᚱᚢᚾᛖ ᛁᛋ ᚾᚩᛏ ᛁᚾᚠᚩᚱᛗᚪᛏᛡᚾ ᛏᚩ ᛒᛖ ᚳᚩᛚᛚᛖᚳᛏᛖᛞ. ᛁᛏ ᛁᛋ ᚪ ᚳᚹᛖᛋᛏᛡᚾ ᛏᚩ ᛒᛖ ᚳᚪᚱᚱᛁᛖᛞ.
ᛋᛁᛏ ᚹᛁᚦ ᚠᛇᚺ ᚪᚾᛞ ᚣᚩᚢ ᚪᚱᛖ ᚪᛋᚳᛖᛞ ᚹᚺᚪᛏ ᚣᚩᚢ ᚺᚪᚠᛖ ᚪᚾᛞ ᚹᚺᚪᛏ ᚣᚩᚢ ᚹᛁᛚᛚ ᛞᚩ ᚹᛁᚦ ᛁᛏ. ᛋᛁᛏ ᚹᛁᚦ ᚱᚪᛞ ᚪᚾᛞ ᚣᚩᚢ ᚪᚱᛖ ᚪᛋᚳᛖᛞ ᚹᚺᛖᚦᛖᚱ ᚣᚩᚢ ᚪᚱᛖ ᛏᚱᚢᛚᚣ ᛗᚩᚠᛁᛝ ᚹᛁᚦ ᚣᚩᚢᚱ ᛋᛏᚪᛏᛖᛞ ᛈᚢᚱᛈᚩᛋᛖ ᚩᚱ ᚩᚾᛚᚣ ᛏᚪᛚᚳᛁᛝ ᚪᛒᚩᚢᛏ ᛁᛏ ᛒᚣ ᚦᛖ ᚠᛁᚱᛖ. ᛋᛁᛏ ᚹᛁᚦ ᚾᚣᛞ ᚪᚾᛞ ᚣᚩᚢ ᚪᚱᛖ ᚪᛋᚳᛖᛞ ᚹᚺᚪᛏ ᚣᚩᚢ ᚪᚳᛏᚢᚪᛚᛚᚣ ᚾᛖᛖᛞ, ᛋᛏᚱᛁᛈᛈᛖᛞ ᚩᚠ ᛈᚱᛖᚠᛖᚱᛖᚾᚳᛖ. ᛋᛁᛏ ᚹᛁᚦ ᛗᚪᚾᚾ ᚪᚾᛞ ᚣᚩᚢ ᚪᚱᛖ ᚪᛋᚳᛖᛞ ᛏᚩ ᚺᚩᛚᛞ ᚣᚩᚢᚱ ᚩᚹᚾ ᛄᚩᚣ ᚪᚾᛞ ᚣᚩᚢᚱ ᚩᚹᚾ ᛗᚩᚱᛏᚪᛚᛁᛏᚣ ᛁᚾ ᚩᚾᛖ ᚺᚪᚾᛞ ᚹᛁᚦᚩᚢᛏ ᛚᛖᛏᛏᛁᛝ ᛖᛁᚦᛖᚱ ᚳᚪᚾᚳᛖᛚ ᚦᛖ ᚩᚦᛖᚱ.
ᚺᛖᛚᛞ ᚠᚩᚱ ᚪ ᛞᚪᚣ, ᚪ ᛋᛁᛝᛚᛖ ᚱᚢᚾᛖ ᚹᛁᛚᛚ ᚠᛁᚾᛞ ᚦᛖ ᚦᛁᛝ ᛁᚾ ᚣᚩᚢᚱ ᛚᛁᚠᛖ ᚦᚪᛏ ᚪᚾᛋᚹᛖᚱᛋ ᛏᚩ ᛁᛏ. ᚦᚪᛏ ᛁᛋ ᚾᚩᛏ ᛗᚪᚷᛁᚳ. ᛁᛏ ᛁᛋ ᚹᚺᚪᛏ ᛋᚢᛋᛏᚪᛁᚾᛖᛞ ᚪᛏᛏᛖᚾᛏᛡᚾ ᛞᛟᛋ ᛏᚩ ᚪᚾᚣ ᚳᚹᛖᛋᛏᛡᚾ ᚹᚩᚱᚦ ᚪᛋᚳᛁᛝ.
ᚪ ᛞᛖᛖᛈᛖᚱ ᚳᚩᚾᚾᛖᚳᛏᛡᚾ
ᚦᛖ ᚱᚢᚾᛖᛋ ᚹᛖᚱᛖ ᛗᚪᛞᛖ ᛒᚣ ᛈᛇᛈᛚᛖ ᚹᚺᚩ ᛚᛁᚠᛖᛞ ᚳᛚᚩᛋᛖ ᛏᚩ ᚹᛠᚦᛖᚱ, ᚹᚩᚩᛞ, ᚪᚾᛁᛗᚪᛚᛋ, ᚪᚾᛞ ᛠᚳᚺ ᚩᚦᛖᚱ, ᚪᚾᛞ ᚹᚺᚩ ᛞᛁᛞ ᚾᚩᛏ ᛋᛖᛈᚪᚱᚪᛏᛖ ᚦᛖ ᛈᚱᚪᚳᛏᛁᚳᚪᛚ ᚠᚱᚩᛗ ᚦᛖ ᛋᚪᚳᚱᛖᛞ. ᚦᛖ ᚩᚪᚳ ᚦᚪᛏ ᚠᚪᛏᛏᛖᚾᛖᛞ ᚦᛖᛁᚱ ᛈᛁᚷᛋ ᚹᚪᛋ ᚦᛖ ᛋᚪᛗᛖ ᚩᚪᚳ ᚦᚪᛏ ᛒᛖᚳᚪᛗᛖ ᚦᛖ ᚺᚢᛚᛚ ᛏᛖᛋᛏᛖᛞ ᛒᚣ ᚦᛖ ᚩᛈᛖᚾ ᛋᛠ. ᚦᛖ ᚷᛁᚠᛏ ᚦᚪᛏ ᚠᛖᛞ ᚪ ᚺᚢᛝᚱᚣ ᛖᛉᛁᛚᛖ ᚹᚪᛋ ᚦᛖ ᛋᚪᛗᛖ ᚷᛁᚠᛏ ᚦᚪᛏ ᛒᚩᚢᚾᛞ ᚪ ᚳᚩᛗᛗᚢᚾᛁᛏᚣ ᛏᚩᚷᛖᚦᛖᚱ.
ᛚᛠᚱᚾᛁᛝ ᚦᛖᛋᛖ ᛋᚣᛗᛒᚩᛚᛋ ᛈᚢᛚᛚᛋ ᚪᛏᛏᛖᚾᛏᛡᚾ ᛒᚪᚳᚳ ᛏᚩᚹᚪᚱᛞ ᚦᚪᛏ ᚢᚾᛞᛁᚠᛁᛞᛖᛞ ᚹᚪᚣ ᚩᚠ ᛋᛖᛖᛁᛝ. ᚦᛖ ᚣᛖᚹ ᛁᚾ ᚦᛖ ᚳᚺᚢᚱᚳᚺᚣᚪᚱᛞ ᛋᛏᚩᛈᛋ ᛒᛖᛁᛝ ᛋᚳᛖᚾᛖᚱᚣ. ᚦᛖ ᛏᚢᚱᚾᛁᛝ ᚩᚠ ᚦᛖ ᚣᛠᚱ ᛋᛏᚩᛈᛋ ᛒᛖᛁᛝ ᚪ ᛞᚪᛏᛖ. ᚦᛖ ᛈᛖᚱᛋᚩᚾ ᚪᚳᚱᚩᛋᛋ ᚠᚱᚩᛗ ᚣᚩᚢ, ᛞᛠᚱ ᚪᚾᛞ ᛗᚩᚱᛏᚪᛚ, ᚳᚩᛗᛖᛋ ᛁᚾᛏᚩ ᛋᚺᚪᚱᛈᛖᚱ ᚠᚩᚳᚢᛋ.
ᚦᛁᛋ ᛁᛋ ᚦᛖ ᛋᛈᛁᚱᛁᛏᚢᚪᛚ ᚱᛁᚳᚺᚾᛖᛋᛋ ᚦᛖ ᛏᚱᚪᛞᛁᛏᛡᚾ ᚩᚠᚠᛖᚱᛋ, ᚪᚾᛞ ᛁᛏ ᚪᛋᚳᛋ ᚾᚩ ᛒᛖᛚᛁᛖᚠ ᚩᚠ ᚣᚩᚢ. ᛁᛏ ᚪᛋᚳᛋ ᚩᚾᛚᚣ ᚦᚪᛏ ᚣᚩᚢ ᛚᚩᚩᚳ ᚪᛏ ᛠᚳᚺ ᚦᛁᛝ ᚳᚪᚱᛖᚠᚢᛚᛚᚣ ᚪᚾᛞ ᚾᚪᛗᛖ ᛁᛏ ᛏᚱᚢᛚᚣ. ᚦᛖ ᛋᚣᛋᛏᛖᛗ ᛒᛖᚷᛁᚾᛋ ᚹᛁᚦ ᚹᚺᚪᛏ ᚣᚩᚢ ᚺᚩᛚᛞ ᚪᚾᛞ ᛖᚾᛞᛋ ᚹᛁᚦ ᚦᛖ ᛞᚪᚱᚳ ᛠᚱᚦ, ᚪᚾᛞ ᛒᛖᛏᚹᛖᛖᚾ ᚦᚩᛋᛖ ᛏᚹᚩ ᛈᚩᛚᛖᛋ ᛁᛏ ᚩᛈᛖᚾᛋ, ᚪᛚᚹᚪᚣᛋ, ᛒᚪᚳᚳ ᛏᚩᚹᚪᚱᛞ ᚦᛖ ᛞᚪᚹᚾ.
These pages are set in the Anglo Saxon Futhorc, letter for letter, so they can be read back into English. Single runes stand in for the digraphs TH, NG, EA, AE, EO, IO and OE. Following Old English practice, C serves for K, F serves for V, CW serves for Q, and Eolh serves for X and Z.
About
Why these symbols are worth the work of learning.
Why learn the runes
Our alphabet is silent. The letter B means nothing at all. It is a mark for a sound and it carries no weight of its own. The runes are not like this. Every one of them is a word before it is a letter. Beorc is the birch tree that leafs first in spring. Lagu is the deep water that heeds no bridle. Dag is the dawn.
So to write in runes is to assemble a string of named forces. The phonetic and the meaningful move together, and a word says something about itself that our own letters can never say. To learn the runes is to gain a second layer of attention over everything you read and write.
What they represent
Each rune names something real in human life, and the old poem that carries them refuses to flatter any of it. Wealth is a comfort, and it must be given away. Hail is the whitest of grain, and it destroys the harvest, and then it turns to water. The joyful man is dear to his kin, and each must depart from the other.
The tradition holds the height and the depth of a thing at the same moment and does not resolve the tension. That refusal is its honesty, and it is why these stanzas still land after a thousand years. They were not written to console. They were written to witness.
Meditating on one rune
This is why the site gives you one rune a day and nothing more. A rune is not information to be collected. It is a question to be carried.
Sit with Feoh and you are asked what you have and what you will do with it. Sit with Rad and you are asked whether you are truly moving with your stated purpose or only talking about it by the fire. Sit with Nyd and you are asked what you actually need, stripped of preference. Sit with Mann and you are asked to hold your own joy and your own mortality in one hand without letting either cancel the other.
Held for a day, a single rune will find the thing in your life that answers to it. That is not magic. It is what sustained attention does to any question worth asking.
A deeper connection
The runes were made by people who lived close to weather, wood, animals, and each other, and who did not separate the practical from the sacred. The oak that fattened their pigs was the same oak that became the hull tested by the open sea. The gift that fed a hungry exile was the same gift that bound a community together.
Learning these symbols pulls attention back toward that undivided way of seeing. The yew in the churchyard stops being scenery. The turning of the year stops being a date. The person across from you, dear and mortal, comes into sharper focus.
This is the spiritual richness the tradition offers, and it asks no belief of you. It asks only that you look at each thing carefully and name it truly. The system begins with what you hold and ends with the dark earth, and between those two poles it opens, always, back toward the dawn.